This work, the 3rd in my series of 'inscapes', is strongly political in nature. It was conceived and developed before, during, and after the Philippine elections and subsequent revolution in early 1986...

While my sculpture has been known mostly as white, life-sized, live cast figures in plaster or cold-cast marble set in their own environment, I have been exploring other materials, one of which is DEAD TREES...

My work encompasses a variety of themes, including the personal, the national, and the universal. My symbolism is deliberate, and is drawn from nature, history, and myth. In this way, I hope to communicate experiences which are personal in a universal manner. Naturally, as an Asian, many of the symbols which I use are also Asian, or ones which are clearly evocative for an Asian mind...

I am engaged in a search. You might almost call it a need. I am seeking answers to certain metaphysical questions, which present themselves in the form of paradoxes, and concern the problem of 'existence' or the juxtaposition of, but essential interdependence between, Creation and Destruction...

My work portrays my philosophy of life. This emphasizes exploration built around a series of ingredients which I feel would be part of a complete philosophy if such an absolute existed. Apart from the present emphasis on Isis, there is Zen, Tao, and especially Tantra in my "Temple to the Moon Goddess."...

Maiden, wife, crone. The cycle of birth, life, and death.
My trinity of mothers derives from the many mother-goddess paradigms in religion and literature - the most important to me being Robert Graves' 'Triple Goddess'...